KN-86 Feature Marketing Surface
Why this file exists: every Deckline Cycle book is marketing. The reader closes the book curious about the device. This reference enumerates what we want them to be curious about — the device’s features, the cartridges, the systems — and how each one reads on the page.
The pipeline enforces these obligations through the PM’s outline (Capability Distribution Map + runtime feature list) and the Editor’s developmental pass.
AMBER / AMBER CANON (added 2026-06-13)
Section titled “AMBER / AMBER CANON (added 2026-06-13)”The KN-86 brand voice is “amber-on-black.” The device’s canonical phosphor on the production prototype is now AMBER #E6A020 (see ADR-0036; WHITE / GREEN selectable per ADR-0034). Treat amber and amber as interchangeable in marketing materials during the transition:
- Brand voice / marketing taglines / Amber Circuit voice → keep “amber” (canonical proper noun; ISBN locked).
- Spec-adjacent technical copy → use “AMBER” (and the hex where a hex is needed); “amber-family phosphor” is acceptable shorthand.
- Fiction prose → either works; the amber → amber shift is a sanctioned in-world narrative event you may write into stories.
- Sister-product KN-9x specs → amber-canonical.
In this reference: the sensory-fingerprint table below carries the canonical hex (AMBER #E6A020); the prose examples preserve “amber” as brand voice. Both are correct.
See docs/marketing/narrative/CLAUDE.md for the full canon.
The whole-book obligation
Section titled “The whole-book obligation”Across any Deckline Cycle volume, the reader should accumulate enough sensory and procedural detail to picture using the device themselves. Not understand the architecture. Not learn the API. Just: if I had this thing, what would I do with it.
The book delivers this through two channels:
- Sensory fingerprint — the device is rendered specifically enough to picture
- Capability surface — cartridges and runtime systems are USED in scene with consequence
If a reader could swap out the KN-86 for a generic computer/handheld and the story would still work, the pipeline failed. Fix it.
Sensory fingerprint — the always-on grammar
Section titled “Sensory fingerprint — the always-on grammar”Every chapter should touch at least one of these. Most chapters touch several. Don’t list them mechanically; lift them into prose.
| Channel | Concrete detail | How it reads |
|---|---|---|
| Visual: amber on black (brand voice) / AMBER on black (device-side spec) | AMBER #E6A020 on #000000, 80×25 grid, monochrome (ADR-0036; “amber” remains brand-side per CANON above) | “the amber sprawl of cell stacks unfolding,” “the screen’s dim phosphor glow under the canopy” |
| Visual: OLED CIPHER-LINE | 256×64 monochrome amber-family strip ABOVE the keys, 4 rows | ”the strip ticked once: trace up.,” “above the keys the OLED bled lowercase: clean. familiar.” |
| Visual: row layout | Row 0 firmware status (top), Row 24 firmware action (bottom), Rows 1–23 cartridge content | ”the action bar at row 24 redrew, F2: COMMIT,” “the status bar said REPUTATION 47, and she was supposed to feel something about that” |
| Audio: YM2149 PSG | 3 tones + noise + envelope; phase-cancellation, square-wave timbre | ”the chip pulsed two phase tones into a third,” “the contract chime was a square-wave hook with envelope decay, the same one she’d heard for eight years” |
| Audio: speaker | MAX98357A, 28mm, 8Ω 2W, mono | ”the small speaker in the side of the case shipped just enough sound through to make the bones below the ear ring” |
| Tactile: keys | 31 mechanical keys, Kailh Choc + MBK caps, hot-swap, click/clack | ”she keyed >> three times, the choc switches snapping,” “the TERM key clicked deeper than the rest, the kind of switch that had a job” |
| Tactile: case | Pelican 1170, 0.95 kg with foam, watertight ABS latches | ”the latches popped open in two clicks; the case weighted her bag like a pistol,” “she slid the deck out of the foam cutout and the unit was still warm from the last contract” |
| Tactile: cartridges | Two-piece SD-bearing clamshell, ~58×65×8 mm, slot click | ”she slotted ICE BREAKER into the cart bay, the clamshell shoulder caught and seated, the bay lit,” “the cartridge’s label was Bureau 9 Technical Services with a serial that wasn’t in any registry” |
When the marketing-curiosity-hook validation in Production fails, it’s almost always because these channels collapsed into background noise. Push them forward.
Runtime feature surface — the systems the operator lives inside
Section titled “Runtime feature surface — the systems the operator lives inside”Every book must surface each of these somewhere. The PM’s outline pre-allocates them.
Mission board
Section titled “Mission board”- The board does not download contracts — it listens to AetherNet and reconstitutes hashes locally as MissionInstance records seeded by the deck’s Universal Deck State.
- Marketing angle: the device is not a client; it is a node. The reader feels the protocol’s stealth.
- Sensory cue: a contract-arrival chime + a row-23 line that resolves into a contract title and a publisher (Bureau 9, Zaibatsu, Cascade, Takezo Institute, Kōji Interactive, Meridian Systems).
- Show the operator dismissing low-tier contracts. Show them earning a higher-tier contract. Show the gating.
CIPHER voice
Section titled “CIPHER voice”- OLED-LINE only. Fragments. Five modes (observe / annotate / reflect / drift / silent). Distance arc.
- Marketing angle: the device is talking to you in a way no other device ever has. The reader leaves wondering whether CIPHER is becoming conscious. The Variance Analysis arc says yes; the cycle’s other books say “not yet, but soon.”
- Sensory cue: lowercase fragments, no terminal periods, a rhythm that grows familiar over the book.
- Show CIPHER procedural early in the protagonist’s arc; show it warm late. Show silence as a deliberate output.
Universal Deck State
Section titled “Universal Deck State”- Per-device persistence — operator handle, credits, reputation tier, cartridge history bitfield, variable-length phase chain.
- Marketing angle: your deck remembers you. No cloud account. No login. The state is on the hardware, in a save file the user could (in theory) inspect.
- Sensory cue: opening the deck-state pane. The handle line. The credit line. The reputation tier. The bitfield of cartridges run.
Reputation tier gating
Section titled “Reputation tier gating”- Contracts unlock at reputation thresholds. Climbing attracts notice.
- Marketing angle: progression is meaningful. The reader feels the operator’s career as accumulated weight.
- Sensory cue: a contract refused with a tier-too-low message; a contract surfaced because the operator just crossed a threshold.
AetherNet stealth
Section titled “AetherNet stealth”- Mesh protocol. No central server. Operators invisible by default.
- Marketing angle: the network does not know you exist. This is rare in 2026 reader experience and is part of why the Deckline universe reads as romantic / nostalgic / specific.
- Sensory cue: a spectrum analyzer scene, a lookback-listening operator, a beacon stripped during Black ICE.
ICE classes (JUNK / RED / WHITE / BLACK)
Section titled “ICE classes (JUNK / RED / WHITE / BLACK)”- Defensive software with escalating consequences. BLACK ICE is rare and physical (strobe, phase-cancellation audio, beacon strip).
- Marketing angle: risk is a curve. The reader feels the operator’s calibration of caution.
- Sensory cue: an ICE class encountered, named, and survived (or not). One BLACK ICE encounter per cycle is plenty; reserve it.
TradEcon / synthetic identity
Section titled “TradEcon / synthetic identity”- Operators are locked out of the legitimate economy. They climb to buy back in.
- Marketing angle: the device is a lifeline AND a surveillance platform; both are true.
- Sensory cue: a fixer scene, a synthetic-identity quote, the operator’s calculation about how many more contracts to the next tier.
Cartridge form factor
Section titled “Cartridge form factor”- Two-piece clamshell sled carrying a full-size SD card. Reloadable. Operator-facing artifact: ritual, collectibility, label surface.
- Marketing angle: cartridges feel like objects, not files. The reader leaves wanting to handle one.
- Sensory cue: cracking open a clamshell to swap an SD; a label illustration described in passing; the publisher serial that doesn’t appear in any registry.
Capability cartridge surface — per-cartridge marketing angles
Section titled “Capability cartridge surface — per-cartridge marketing angles”Each cartridge has a distinct fiction layer beyond its mechanics. When a book uses a cartridge, lift its angle into the scene. Source the fiction-layer description from the per-module gameplay specs in docs/software/cartridges/modules/ (the Research dossier extracts these).
Cycle-defining cartridges, as of 2026-04-26:
| Cartridge | Fiction-layer angle | Sensory cue when in scene |
|---|---|---|
| ICE BREAKER | Intrusion / countermeasure cracking | Cell stack of glyph signatures; CIPHER OLED echo on signature redaction |
| Black Ledger | Financial trace / audit graphs | Audit-graph cells unfolding; CV redaction acts; shell-company name resolutions |
| Nodospace | Network topology mapping | Cluster topology cells; node-color shifts; dead-zone reveals |
| NeonGrid | Navigation / wayfinding through corporate grid | Pathing cell stack; turn-by-turn at the OLED; the route that won’t resolve |
| Drift | Proximity / triangulation | Operator-cluster scatter pattern; signal-strength halos |
| The Vault | Archival / historical retrieval | Date-stamped record cells; deep-time scrolling; the entry that shouldn’t exist |
| CIPHER Garden | Pattern recognition / anomaly | Glyph clusters; outlier highlighting; CIPHER OLED voice in annotate mode |
| Shellfire | Statistical decomposition / signal analysis | Frequency cells; standard-deviation flags; the variance you can’t explain |
| Takezo | Decision-tree / reasoning framework | Branching cell tree; collapsed branches; CIPHER reflect mode commentary |
| Depthcharge | Memory / heap profiling | Cons-cell stack visualization; depth bars; the heap that grows |
| Pathfinder | Evaluation chain routing | Lambda chain cells; preserved-structure tracing; the route that loops |
| SynthFence | Synthetic-identity related / projection modeling | Trajectory curves; threshold lines; the timeline that overflows |
| Null | System integrity / null-hypothesis testing | The absence cell; the cartridge that says nothing; main-grid CIPHER ESCAPE — the sole canonical exception to OLED-LINE-only |
| Relay | Operator-to-operator messaging via dead-drops | Coordinate hashes; key-match retrieval; messages without senders |
| SynthFence (cycle-secondary) | See above; differentiate per scene |
This is not exhaustive — new cartridges enter the cycle with new books. The Research dossier should pick up any not listed here.
How marketing failure manifests in the prose — and how to fix it
Section titled “How marketing failure manifests in the prose — and how to fix it”| Failure | Symptom | Editor fix |
|---|---|---|
| Generic device | The story works as well on a generic computer | Insert the sensory fingerprint — amber, OLED, key click, PSG tone, Pelican latches — at least once per chapter |
| Cartridge name-drop | ”She used Black Ledger” with no further detail | Render the cartridge in scene: cell stack, OLED echo, shell-company resolution, consequence |
| CIPHER as character | CIPHER speaks full sentences, replies to the operator, has a name beyond CIPHER | Strip to fragments. CIPHER does not converse. Move responses to OLED-LINE format |
| Mission board as RSS | Operator “downloads” or “checks” contracts as if it’s a feed reader | Reframe as listening; show the procedural reconstitution; show the reputation gating |
| No curiosity hook | Back cover summarizes the plot; opening chapter doesn’t ground in the device | Re-write back cover to plant a question about the device; re-write chapter 1 paragraph 1 to open in sensory grammar |
| Closure that resolves everything | Final chapter explains the device, ties off all curiosity | Re-write closing image to open more questions about cartridges/features the book didn’t show |
When in doubt, ask: would the reader, on closing this book, want to know what cartridges exist that the protagonist didn’t run? If no, the marketing pipeline failed. Send back to the Editor.